Yesterday She Keeps Bees shared the music video for “Owl”, from their new album, Eight Houses, out now on Future Gods Records. Stereogum is calling the video “a surreal feral crawl through the great outdoors and a smoky formal dinner party”. “Owl” is another beautifully crafted, powerful song with gentle instrumentation indicative of the stunning timelessness that She Keeps Bees have created with Eight Houses.
Eight Houses finds She Keeps Bees working with an outside producer, Nicolas Vernhes (Deerhunter, The War On Drugs, Dirty Projectors, etc.) for the first time and enlisting guest musicians including Sharon Van Etten and Adam Schatz.
She Keeps Bees are headed to Europe on tour later this month, their highly affecting live show is not to be missed! All dates below.
PRAISE FOR EIGHT HOUSES:
“Low-key but powerful, trailing wisps of desolation, menace, and regret. Larrabee’s moan is a ripple of unease in stale air, occupied only by some keyboard and a drum track.”
“Larrabee’s soothing alto murmurs against minimal organ parts and a sparse drumbeat, and the less-is-more effect is powerful.” –Stereogum
ABOUT SHE KEEPS BEES:
Considering how controlled the chaos is on Eight Houses-a record that’s ruptured by riffs and rattled by rhythms without leaping straight off the rails-it’s tough to imagine a time when Jessica Larrabee and Andy LaPlant didn’t finish each other’s sentences, creatively and personally. But that’s how She Keeps Bees began: with LaPlant bashing a borrowed kit (including a garbage-picked floor tom) atop a step-ladder and Larrabee directing the dark solo recordings she began soon after moving from Philadelphia to Brooklyn.
“It was trial by fire,” says LaPlant of their early rehearsals. “Luckily what she wanted out of me at the time wasn’t complicated.”
“We grew together slowly,” adds Larrabee, “like a tree. It felt powerful with him behind me. Nothing really clicked until I met Andy.”
That dynamic became more pronounced with each passing record, peaking with the self-produced songs of Nests and Dig On, the latter of which expanded the pair’s minimal sound with bass parts and synths. Now joined by an outside producer (Rare Book Room’s Nicolas Vernhes) and guest musicians including Sharon Van Etten and Adam Schatz, She Keeps Bees revels in the raw power of subtlety, silence and space, coloring Larrabee’s compositions with lean piano lines, hazy horns and warm organ rolls.
“There was definitely a batch of more aggressive songs that got cut from the record,” explains LaPlant. “Having a producer was nice in that respect; if things were starting to sound too similar and we didn’t hear it, Nicolas wasn’t shy about letting us know. We wanted to step outside our comfort zone stylistically, which really gives Jess’ songwriting a chance to shine.”
It also pushes her dense lyrics to the fore, exploring a wide range of universal emotions (desire, obsession, change) and looking for answers to questions our teachers never addressed, from the blood-splattered war hero status Custer earned during his “last stand” to the forced assimilation of Native Americans on the open roads She Keeps Bees toured for the first time in 2012.
“The reservations left a heartache in me,” she explains, “and swarms of questions. I began reading stories. The more I read the history, the more I realized this was a universal story of ‘progress’: the Western world surrounding indigenous people, taking their natural resources, destroying their sense of self.”
And yet there’s still a light at the end of the tumultuous tunnel Eight Houses carves over the course of 10 punchy, confident songs. It kicks in as “Raven” collides with its choruses, meeting the human condition head on.
“Let the toxic mimics roll off us all,” says Larrabee. “Let the power of your truest self rest in your heart. Draw strength from below your navel-a place where there is no fear. Honor the gravity of the emotion but do not be consumed.”
11/12 – Bristol, UK @ The Latern
11/13 – Manchester, UK @ Guillivers
11/15 – London, UK @ Lexington
11/16 – Leeds, UK @ The Wardrope
11/17 – Sheffield, UK @ The Harley
11/20 – Athens, GR @ Six Dogs
11/22 – Utrecht, NL @ Le Guess Who
11/24 – Heidelberg, DE @ Karlstorbahnhof
11/25 – Mainz, DE @ Kultur Club Schon Schon
11/26 – Schorndorg, DE @ Club Manufaktur
11/27 – Geneva, CH @ La Graviere
11/28 – Zurich, CH @ Bogen F
11/29 – Munchen, DE @ TBA
11/30 – Darmstadt, DE @ Bedroom Disco
12/01 – Berlin, DE @ Berghain Kantine
12/02 – Copenhagen, DK @ Husset
12/03 – Hamburg, DE @ Aalhaus
12/04 – Amsterdam, NL @ Paradiso
12/05 – Gent, BE @ Autumn Falls at Vooruit
12/07 – Antwerpen, BE @ Trix
12/09 – Tourcoign, FR @ Winter Camp
12/10 – Paris, FR @ Trabendo
12/11 – Paris, FR @ Silencio
12/13 – Le Havre, FR @ Wintercamp at Tetris
SHE KEEPS BEES
FUTURE GODS RECORDS
SEPTEMBER 16, 2014
- Feather Lighter
- Both Sides
- Burning Bowl
- Greasy Grass
- Is What It Is
- Dirt Dress stream title track from 'Revelations' EP; out 11/4 on Future Gods
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- Sampology releases new single 'Show Me' as free download
- Mickey Avalon releases new video for title track of 'I Get Even' EP
- Alt-Pop duo Yell For Help release video for 'Trigger Happy'
- Veronika Vesper releases new video/single 'Fuck The Ego'