Photo by Maria Mochnacz
The Smoke Fairies second proper album Blood Speaks had been scheduled for March release in the U.S. and now has been reschedule for April 23 release on Year Seven Records. The U.S. release will be as Red Vinyl LP; limited edition Double disc CD with bonus tracks; Deluxe download album with all tracks. Head, the venerated producer, returns for the new album, and their live band was also drafted in, adding their intuitive version of the duo’s evolving sound.
Since the 2010 release of Ghosts – A Compilation of A Sides, B Sides and an EP from the Recent Past and then Through Low Light And Trees in 2011 Smoke Fairies’ Jessica Davies and Katherine Blamire have been on an epic journey, both physically and spiritually. Touring Britain, Europe and America; in tour buses, ramshackle vans and even driving themselves 3000 miles across the US, drawing increasingly devoted audiences with their exquisitely original and mesmerising music.
All these experiences bleed from every pore of Blood Speaks. From the heavyweight humidity of “The Three Of Us” and “Feel It Coming Near”, to the fragile haunts of “Daylight” and “Hideaway” and the sonic adventures of “Film Reel” and the title track, Blood Speaks is undeniable proof of a tougher and more fearless Smoke Fairies. “We’ve got more confident in what we’re doing, and so we’ve pushed things a bit more,” says Katherine. “We’ve gotten bolder with the dynamics, and our influences have broadened.”
Suddenly that debut album feels somewhat shy and innocent by comparison, though at the time Through Low Light And Trees certainly cast a powerful shadow, with spectral melodies driven by an uncanny symmetry of sound that reflected the duo’s long friendship. Friends since school in Chichester, Sussex, bonding over their parents’ guitars and Jessica’s mum’s vinyl collection, the pair subsequently lived and worked in New Orleans and Vancouver, met and recorded with Jack White for his Third Man label in Nashville and recorded their debut in a remote Cornish studio – all of which added and embellished their haunting, deep-reaching musical impact.
This time round, the album was produced in the urban surroundings of West London’s Ladbroke Grove. “Before,” Katherine recalls, “the city felt like a trap to us. Like on the first album, we wrote “Devil In My Mind”, about feeling crushed by London. But as the title track symbolises, we’ve made peace with the city. Maybe travelling gives you the space to counteract a city’s impression, but a lot of Blood Speaks is inspired by London and by travelling.”
“Blood Speaks” itself is also the album’s longest and most clear signpost of progress. “We tried to break out of the different forms which you can get restricted by in folk and blues,” says Katherine. “It was very liberating to do that, as well as a very uplifting, independent song for us.”
Jessica: “It’s about the sense you get from stopping, thinking and just focusing on your surroundings. To listen to what your blood is telling you, to experience life and to celebrate the freedom of being able to move around.”
The brooding “Version Of The Future” is one distinct ‘city’ song, while ‘Awake’ is haunted by the idea of millions, “thinking the same thoughts at night, troubled by the same routines, dreaming together, but alone,” says Katherine. “We got that feeling too when we drove across America, of being together, but feeling very alone. We did end up in some very strange places. Driving 200 miles to find a motel, bikers either side of our room, and suddenly realising we didn’t know where we were, and neither did anyone else!”
After that cross-country tour and another to play shows with Blitzen Trapper and Dawes, numerous ‘travelling’ songs appeared. Such as “Take Me Down When You Go”, with its unforgettable images (“black ice on a freezing drive…wrote your name on the steamed-up glass / I feel dead like a winter grass”) and “Daylight (“at night, in the motel, I dream of the car crashing through the wild pastures”). The album’s lead single “The Three Of Us” (which spearheads an EP alongside “The Wireless”, “Radio Clicks On” and “The Bells”) was originally conceived a decade ago during a Greyhound bus trip across America the pair took with a friend, it was revisiting some of the obscure towns while driving between shows got Jessica thinking about, “life, friendship, where it ends and appreciating the journey as you go. Your life stretches out and you see so many different lives and places. What’s to stop you from getting out the bus or car and settling in, say, Montana?”
But Smoke Fairies won’t be settling down yet. This epic journey still has a long way to run. As Katherine concludes, “something about what we’re doing drives you on. Something you can’t escape from. It’s part of our journey and we haven’t got where we’re going yet.”
Acclaim for Smoke Fairies debut album, “Through Low Light And Trees”…
“This lovely album is reminiscent of early-70s acid folk… heartfelt and sensual… poised and elegant”MOJO – 4 Stars ****
“a haunting piece of work; spectral song-craft executed beautifully along the border of traditional English folk and Neil Young-esque blues.”The Fly – 4 Stars
“with healthy lashings of classic folk, Fairport Convention-style, and a twist of the blues, it’s really rather intoxicating stuff”NME
“Smoke Fairies are the real deal… the perfectly pitched instrumental interplay and fine-tones harmonies set them apart as a major force”Clash – 8/10
“A smorgasbord of nature imagery and fable-like fantasy”The Sun – 4 Stars ****