World-Renowned Surrealist Uses his Own Blood as a Medium — Artist VINCENT CASTIGLIA: New Retrospective Art Exhibition ‘Resurrection

By on September 22, 2012

Native New Yorker and World-Renowned Surrealist Uses his Own Blood as a Medium — Artist VINCENT CASTIGLIA: New Retrospective Art Exhibition ‘Resurrection’ Appearing at Sacred Gallery NYC, October 4th – 31st

Opening: Thursday, October 4th from 8 PM – 11 PM
New York City native and world-renowned surrealist VINCENT CASTIGLIA recently announced his upcoming solo art exhibition entitled ‘Resurrection’, taking place from October 4th-31st at Sacred Gallery NYC (located at 424 Broadway 2nd Floor between Canal and Howard, NYC). The gallery will host an opening reception on October 4th from 8-11pm. ‘Resurrection’ will include a striking collection of Vincent’s paintings, which are created exclusively in his own human blood.
In the privacy of his studio, Vincent practices a kind of modern-day phlebotomy, siphoning the life force which he believes contains his own psychic energy, while giving it an outlet and form. In doing so, he dissolves the barrier between artist and art in a most literal and immediate sense.
This retrospective encompasses all of Vincent’s available work from the beginning of his career and aims to examine the congruency of life and death.
Vincent recently took the time to explain his two favorite pieces in the exhibition, “Feeding” and “Stings of the Lash”, which are displayed below.
  • “Feeding”(59″ x 41”, Blood on paper, 2006), depicts the archetypal mother of humanity, a fleeting organism which struggles to nurture itself in spite of the self-evident frailties that are innately threaded into its existence – namely sickness and death. Her transience burdens her more deeply to propagate. Yet hope runs through the composition; among the ruins of a physical shell, the background envelops the figures, like a promise, that like the child, they are being held together by something vaster. See below.

  • “Stings of the Lash” (88″ x 59″”, Blood, 2005) marks significant events in my life, people, places and things – the ‘stings’ of my own ‘lashes’. This painting also deals with the unique nature of the human will. There is a “consciousness between impulses”, the space between actions. The figure stands between two neurons attempting to communicate; only the message is diffused in the space between them by this willful phenomenon. Behind him are three dimensions, which the figure penetrates, physically as well as allegorically, the terrestrial, the celestial, and beyond this the collective unconscious. See below.
Vincent’s figures, their musculature and skin, are painted with what could be thought of as “liquid flesh”. Its tendency to quicken the subjects is likely inapproachable by any other medium—as it is actual tissue with which it is being rendered. In this way the subject’s realism is not merely an optical illusion due to its level of detail, but rather is an actual transference of flesh and blood to each work.
For more information on Sacred Gallery NYC, please visit www.sacredgallerynyc.com or contact Kevin@SacredGalleryNYC.com.
VINCENT CASTIGLIA is the first American artist to receive a solo exhibition invitation from Oscar Award-winning artist H.R. Giger in the history of the H. R. Giger Museum Gallery. Vincent’s art has been praised by fellow artists, musicians, and other notables throughout his career.
“With such precise technique, his depiction of human musculature is nothing short of outstanding.”  
– Paul Booth / World-renowned Tattooist, Artist, Gallery Owner, Fanatical Nihilist
“If the body is the temple, then the heart is the altar and the blood is the sacred flame that enlightens the shrine. Vincent is painting with holy light.” – Martin Eric Ain / Musician, Celtic Frost
“The ominous truth that his art confronts, along with the exquisiteness in which it is portrayed, provides a timeless revelation into human existence.” – Joe Sopkowics, Forensic Photographer
VINCENT CASTIGLIA’s impressive work has seen many sides of the entertainment world, as well. MTV New Media’s Horror-Slasher Film, Savage County, featured his art as its official movie poster, depicting the three murderers in the film. Prior to the film, Vincent painted album art for heavy metal band Triptykon’s 2010 debut release, Eparistera Daimones. Triptykon is founded by former Hellhammer / Celtic Frost singer and guitarist Tom Gabriel Fischer.
His work has been featured on New York 1 News, Spike TV, as well as the television series, Miami Ink. His work has been explored by countless art and culture, and media publications, in the US and internationally, including the New York Post, New York Daily News, and the recently released, Lexikon Der Phantastischen Künstler “The international encyclopedia of fantastic, surrealistic, symbolist, & visionary artists”.
His work hangs in many distinguished international collections; one of his most celebrated works of 2006, “Gravity” was recently acquired by Rock legend Gregg Allman.  Vincent’s paintings have been exhibited at museums and galleries in the US, and internationally, including CoproGallery, (Santa Monica, California), Last Rites Gallery (New York) The Museum of Sex (New York), The Museum Of Porn In Art, (Switzerland), The HR Giger Museum Gallery, (Switzerland), , The Mall Gallery (London, England) Canvas Los Angeles (Los Angeles California), Fuse Gallery (New York), Sidney & Berne Davis Art Center (Ft. Myers, Florida), Art @ Large Gallery(New York) Gallery Lombardi (Austin Texas), L’imagerie Gallery (Hollywood, California), Museo De La Cuidad De Mexico, (Mexico), C-Pop Gallery (Detroit, Michigan), Shooting Gallery (San Francisco, CA), Seed Gallery (Newark, New Jersey), The 7th Annual Dirty Show (Detroit, Michigan),  as well as The Congregation Gallery (Hollywood, California).
For more information on VINCENT CASTIGLIA, please visit www.vincentcastigliaart.com

DaveHHM

Author: DaveHHM

Dave Luttrull: Owner/Editor in Chief of Hellhound Music. Star Wars nerd, Gamer, Destiny homer, blogger, writer and lover of all things music.

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